Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский; IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪt͡ɕ tɐrˈkofskʲɪj]; 4 April 1932 - 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist, theatre and opera director.
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Source: Wikipedia

Andrei Arsenyevich Tarkovsky (Russian: Андре́й Арсе́ньевич Тарко́вский; IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪt͡ɕ tɐrˈkofskʲɪj]; 4 April 1932 - 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist, theatre and opera director.
Tarkovsky's films include Andrei Rublev, Solaris, The Mirror, and Stalker. He directed the first five of his seven feature films in the Soviet Union; his last two films were produced in Italy and Sweden, respectively. They are characterized by spirituality and metaphysical themes, long takes, lack of conventional dramatic structure, and distinctively authored use of cinematography.
Film director Ingmar Bergman said of Tarkovsky:

Tarkovsky for me is the greatest [director], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream.

Life [edit]
Childhood and early life [edit]
Tarkovsky was born in the village of Zavrazhye in the Yuryevetsky District of the Ivanovo Industrial Oblast to poet and translator Arseny Alexandrovich Tarkovsky, native of Kirovohrad, Ukraine; and Maria Ivanova Vishnyakova, a graduate of the Maxim Gorky Literature Institute. Andrei's grandfather Aleksander Tarkowski was a Polish nobleman who worked as a bank clerk.
Tarkovsky spent his childhood in Yuryevets. He was described by childhood friends as active and popular, having many friends and being typically in the center of action. In 1937, his father left the family, subsequently volunteering for the army in 1941. Tarkovsky stayed with his mother, moving with her and his sister Marina to Moscow, where she worked as a proofreader at a printing press. In 1939, Tarkovsky enrolled at the Moscow School № 554. During the war, the three evacuated to Yuryevets, living with his maternal grandmother. In 1943, the family returned to Moscow. Tarkovsky continued his studies at his old school, where the poet Andrey Voznesensky was one of his classmates. He studied piano at a music school and attended classes at an art school. The family lived on Shshipok Street in the Zamoskvorechye District in Moscow. From November 1947 to Spring 1948 he was in the hospital with tuberculosis. Many themes of his childhood - the evacuation, his mother and her two children, the withdrawn father, the time in the hospital - feature prominently in his film The Mirror.
Following high school graduation, from 1951 to 1952, Tarkovsky studied Arabic at the Oriental Institute in Moscow, a branch of the Academy of Sciences of the USSR. Although he already spoke some Arabic and was a successful student in his first semesters, he did not finish his studies and dropped out to work as a prospector for the Academy of Science Institute for Non-Ferrous Metals and Gold. He participated in a year-long research expedition to the river Kureikye near Turukhansk in the Krasnoyarsk Province. During this time in the Taiga Tarkovsky decided to study film.
Film school student [edit]
Upon returning from the research expedition in 1954, Tarkovsky applied at the State Institute of Cinematography (VGIK) and was admitted to the film directing program. He was in the same class as Irma Raush whom he married in April 1957.
The early Khrushchev era offered unique opportunities for young film directors. Before 1953, annual film production was low and most films were directed by veteran directors. After 1953, more films were produced, many of them by young directors. The Khrushchev Thaw relaxed Soviet cultural restrictions a bit and permitted a limited influx of Western literature, films and music. This allowed Tarkovsky to see films of the Italian neorealists, French New Wave, and of directors such as Kurosawa, Buñuel, Bergman, Bresson, Andrzej Wajda (whose film Ashes and Diamonds was a true experience for him) and Mizoguchi. Tarkovsky absorbed the idea of the auteur as a necessary condition for creativity.
Tarkovsky's teacher and mentor was Mikhail Romm, who taught many film students who would later become influential film directors. In 1956, Tarkovsky directed his first student short film, The Killers, from a short story of Ernest Hemingway. The short film There Will Be No Leave Today and the screenplay Concentrate followed in 1958 and 1959.
An important influence on Tarkovsky was the film director Grigori Chukhrai, who was teaching at the VGIK. Impressed by the talent of his student, Chukhrai offered Tarkovsky a position as assistant director for his film Clear Skies. Tarkovsky initially showed interest but then decided to concentrate on his studies and his own projects.
During his third year at the VGIK, Tarkovsky met Andrei Konchalovsky. They found much in common as they liked the same film directors and shared ideas on cinema and films. In 1959, they wrote the script Antarctica - Distant Country, which was later published in the Moskovskij Komsomolets. Tarkovsky submitted the script to Lenfilm, but it was rejected. They were more successful with the script The Steamroller and the Violin, which they sold to Mosfilm. This became Tarkovsky's graduation project, earning him his diploma in 1960 and winning First Prize at the New York Student Film Festival in 1961.
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This text is based on a article from the open encyclopedia Wikipedia and stands under GNU license for free documentation. On Wikipedia there is List of the authors Available. Image: User Ipaat on english Wikipedia (Anatoly Terentiev)