Alain Resnais (French pronunciation: ​[alɛ̃ ʁɛnɛ]; born 3 June 1922) is a French film director whose career has extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Nuit et Brouillard (Night and Fog) (1955), an influential documentary about the Nazi concentration camps.
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Source: Wikipedia

Alain Resnais (French pronunciation: ​[alɛ̃ ʁɛnɛ]; born 3 June 1922) is a French film director whose career has extended over more than six decades. After training as a film editor in the mid-1940s, he went on to direct a number of short films which included Nuit et Brouillard (Night and Fog) (1955), an influential documentary about the Nazi concentration camps.
He began making feature films in the late 1950s and consolidated his early reputation with Hiroshima mon amour (1959), Last Year at Marienbad (1961), and Muriel (1963), all of which adopted unconventional narrative techniques to deal with themes of troubled memory and the imagined past. These films were contemporary with, and associated with, the French New Wave or nouvelle vague, though Resnais did not regard himself as being fully part of that movement. He had closer links to the 'Left Bank group' of authors and filmmakers who shared a commitment to modernism and an interest in left-wing politics. He also established a regular practice of working on his films in collaboration with writers usually unconnected with the cinema, such as Marguerite Duras, Alain Robbe-Grillet and Jorge Semprún.
In later films Resnais moved away from the overtly political topics of some previous works and developed his interests in an interaction between cinema and other cultural forms, including theatre, music, and comic books. This led to imaginative adaptations of two plays by Alan Ayckbourn, and two different styles of musical in On connaît la chanson (Same Old Song) (1997) and Pas sur la bouche (Not on the Lips) (2003).
His films have frequently explored the relationship between consciousness, memory, and the imagination, and he is noted for devising innovative formal structures for his narratives. Throughout his career he has won many awards from international film festivals and academies.

Early life [edit]
Alain Resnais was born in 1922 at Vannes in Brittany, where his father was a pharmacist. He was an only child, and throughout his childhood he was often ill with asthma, which led to his being withdrawn from school and educated at home. He was an eager reader, in a range that extended from classics to comic-books, but from the age of 10 he became fascinated by films. For his twelfth birthday his parents gave him a Kodak 8mm camera with which he began to make his own short films, including a three-minute version of Fantômas. Around the age of 14 he discovered surrealism and through that an interest in the works of André Breton.
Visits to the theatre in Paris gave Resnais the desire to be an actor, and in 1939 he moved to Paris to become an assistant in Georges Pitoëff's company at the Théâtre des Mathurins. From 1940 to 1942 he studied acting in the Cours René-Simon (and one of his small jobs at this time was as an extra in the film Les Visiteurs du soir), but he then decided in 1943 to apply to the newly formed film school IDHEC to study film editing. The film-maker Jean Grémillon was one of the teachers who had most influence on him at that period.
He left in 1945 to do his military service which took him to Germany and Austria with the occupying forces, as well as making him a temporary member of a travelling theatre company, Les Arlequins. He returned to Paris in 1946 to start his career as a film editor, but also embarked on short films of his own. Finding himself to be a neighbour of the actor Gérard Philipe, he persuaded him to appear in a 16mm surrealist short, Schéma d'une identification (now lost). A more ambitious feature-length work, Ouvert pour cause d'inventaire, has also vanished without trace.
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This text is based on a article from the open encyclopedia Wikipedia and stands under GNU license for free documentation. On Wikipedia there is List of the authors Available. Image: Georges Biard